ohne äusserliche Zeichen, ohne Künstlichem, ohne Klimbim, ohne Prunk

Krippenausstellung kuratiert von Felix Boekamp und Ilija Lazarević
artists in residence in der Künstlerwohnung der Schlesingerstiftung in Wald (AR)

Eröffnung: Sonntag, 9. Dezember 2018 um 12 Uhr
vor dem Schulhaus Wald, Dorf 388, 9044 Wald AR
Ausstellungsdauer: 10. – 23. Dezember

Unterstützt durch: Schlesinger Stiftung, Kulturförderung Appenzell Ausserrhoden,
Lienhard-Stiftung & Steinegg Stiftung Herisau

www.schlesingerstiftung.ch

Vernissage Winterausstellungen

Freitag, 28. Dezember 2018, 16–19 Uhr
16.00 Uhr Jahresausklang mit Konzert
17.30 Uhr Begrüssung durch Christof Rösch, anschliessend Apéro

Scuol, Künstlerhaus Fundaziun Nairs
www.nairs.ch

IS DANCE ONE? – dance events in Geneva

Embassy of Foreign Artists is pleased to invite you to a cycle of events with our residents Mohamad Abbasi, Gavin Krastin and Anastasia Proshutinskaya. These events will take place in the ADC studios at Grütli, rue Général-Dufour 16, free entry except for workshops chf 30.- in the morning and chf 20.- in the afternoon. The whole program is in English.

IS DANCE ONE?
Monday, November 19 2018 | 19h00-22h00 | Discussion | 3rd floor studio | Free entry
With Mohamad Abbasi, Anastasia Proshutinskaya & Gavin Krastin. An open discussion in which we explore how a singular approach to dance has emerged as an intersection of multiplicities. Or has it?
(more details)

BODY IMAGINATION ET TRANSMIGRATION
Saturday, November 24 2018 | 10h00-13h00 | Workshop 1 | 2d floor studio | CHF 30.-
By Mohamad Abbasi. Working on some questions, through our “body imagination”. What are our movement urgencies? What are impulses that make us move?
(more details)

TO MAKE DANCING DIFFICULT: breaking lines, augmenting the body, disrupting rhythm and and agitating agency through scenographic devices.
Saturday, November 24 2018 | 14h00-16h00 | Workshop 2 | 2d floor studio | CHF 20.-
By Gavin Krastin. This workshop explores ways in which scenography-as-costuming can be utilised not to decorate the body or solidify narrative, but rather how it can produce and augment choreography.
(more details)

DOCUMENTARY CHOREOGRAPHY
Monday November 26, 2018 | 19h00-21h00 | Conference | 3d floor studio | Free entry
By Anastasia Proshutinskaya. Narrative is allowed to return back to art. It is probably a reaction to the chaos of information around us, to disorienting relativity and multiplicity – artists and audiences sort of need to make some particular sense of it again.
(more details)